Holmes turned again to the fountain. He slipped his hand inside and
brought out a small stoppered vial, empty but for a trace of brown at the
bottom. He closed his eyes, stood very still for a moment, then opened
them and turned to the cellist. "Miss Visovich, would you consider leaving
the house at once, for your safety? I'm not sure that it can be guaranteed
until we know who is committing these crimes."
"Mr. Holmes, I'm a poor girl, and not very well known except to a few in my
own field. This contest could mean everything to me. Even if there's a
risk, if there's a chance for me to give my music to the world, I have to
take it. I'll stay but I'll be careful."
"Then lock yourself in your room, Miss Visovich, and remain there except
for meals, and then only come down when you hear others in the hall." The
girl nodded as she left the room.
Holmes strode back and forth silently for a few minutes, his hands clasped
behind his back. He took the vial out of the pocket in which he placed at
it, looked at for a moment, then replaced it. "That was a very interesting
conversation, wasn't it, Watson? She made a bad slip, there, though."
"Slip, Holmes?"
"You heard, Watson, but you did not observe. Miss Visovich told us that
the cello has always been an important part of her life. The contest here,
Watson, is for pianists. She's lying, and lying badly at that, even in
small things. The chocolates were in the room to pass the time, she says,
yet she did not eat them? What a strange way to put it. She is not who
she seems, Watson, but who is she, and why is she here?"
"For that matter, Holmes, why should Amberson tell you that his father was
'poor but honest' and then go on with the story about his being the
youngest of so many children when surely there would be enough money for
all in a family as wealthy as the Ambersons? Why lie to start with and
then supposedly tell the truth?"
"That's true, Watson. Still, the one who really interests me is our host,
Mr. Eideard. He was himself a great pianist, true, and when he retired he
became an impresario, arranging for the concerts of other artists. He
becomes the de facto manager for whoever wins this contest, you know, and
both the artist and he make a great deal of money that way. He manages
other artists as well, of course."
"So he's still in the music business."
"Yes, which makes it all the more odd that he didn't notice anything amiss
when I played the piano in his room. One of the notes did not ring true,
Watson, just one. It was, of course, the one that the string had been
taken from. Yet Eideard made no comment.
"Did you also notice there are no pictures of Eideard in his concert
days? No pictures at all, Watson. The interesting thing is that while
Eideard is now a clean-shaven man, in his performing days one of the most
striking things about him was his bushy beard, which covered most of his
face. I suspect it added greatly to his popularity.
"There's yet another odd feature of this case, Watson. Did you notice
that the letters of Eideard's name can be rearranged to spell 'Die, dear?'"
"So they do, Holmes, so they do. It does seem as if a great deal is being
hidden by a lot of people in this case, Holmes."
"Too many, Watson. The field is far too cluttered, making it hard to see
clearly. But there's something I'm missing, and --" Our conversation was
interrupted by a crash coming from the staircase out in the hall.
Proceed to Part 13
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